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Giovanni Battista Piranesi
Painting - Genre - Landscape
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Style
Neoclassicism (1259)
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Landscape (77)
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Genre Painting (22)
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Type
Design (523)
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The Roman antiquities, t. 3, Plate XIV. View of a tomb outside Porta del Popolo on the ancient Via Cassia called by the vulgar: the tomb of Nero.
Giovanni Battista Piranesi
18 c.
The Roman antiquities, t. 3, Plate XV. View of a large boulder, a relic of the Tomb of the Family? Metelli on the Appian Way about five miles from the Porta S. Sebastian, in the Hamlet of S. Maria Nuova, etc.
Giovanni Battista Piranesi
18 c.
The Roman antiquities, t. 3, Plate XVIII. A view of the same mausoleum.
Giovanni Battista Piranesi
18 c.
The Roman antiquities, t. 3, Plate XXII. View the remains of burial chambers above.
Giovanni Battista Piranesi
18 c.
Tomb of Cecilia Metella
Giovanni Battista Piranesi
18 c.
Tomb of Cecilia Metella said Capo di Bove
Giovanni Battista Piranesi
18 c.
Vedute di Roma
Giovanni Battista Piranesi
18 c.
Vedute di Roma
Giovanni Battista Piranesi
18 c.
Vedute di Roma
Giovanni Battista Piranesi
18 c.
Vedute di Roma
Giovanni Battista Piranesi
18 c.
Vedute di Roma
Giovanni Battista Piranesi
18 c.
Arch of Trajan in Ancona
Giovanni Battista Piranesi
18 c.
Commonly called the Temple of Janus
Giovanni Battista Piranesi
18 c.
Dedicatory letter in italics italics, dated July 20, 1748
Giovanni Battista Piranesi
18 c.
Diet or place of entrance to several great cubicles and other magnificent rooms, existing in the Villa Adriana
Giovanni Battista Piranesi
18 c.
Forum of Augustus
Giovanni Battista Piranesi
18 c.
Idea of the ancient Via Appia and Ardeatina
Giovanni Battista Piranesi
18 c.
Inside the same building
Giovanni Battista Piranesi
18 c.
Inside the same temple
Giovanni Battista Piranesi
18 c.
Interior view of the Colosseum
Giovanni Battista Piranesi
18 c.
Interior View of the Flavian Amphitheatre, called the Colosseum
Giovanni Battista Piranesi
18 c.
Large part of the magnificent doorway
Giovanni Battista Piranesi
18 c.
Leftovers behind the pronaos of which the above table
Giovanni Battista Piranesi
18 c.
Parts of the Forum of Nerva
Giovanni Battista Piranesi
18 c.
Perspective of the rear
Giovanni Battista Piranesi
18 c.
Perspective of the ruins of the aqueduct
Giovanni Battista Piranesi
18 c.
Another view of the ruins of the pronaos of the Temple of Concord
Giovanni Battista Piranesi
18 c.
Reconstruction of the column referred to in the preceding tables, and various medals of Antoninus and Faustina
Giovanni Battista Piranesi
18 c.
Remains of a hall belonging to the Villa Adriana Castro Pretorio in Tivoli
Giovanni Battista Piranesi
18 c.
Remains of an ancient tomb, now called the distaff, which is seen not far from Port of Capua to go to Naples
Giovanni Battista Piranesi
18 c.
Remains of the Temple of the God Canopus in Hadrian`s Villa at Tivoli
Giovanni Battista Piranesi
18 c.
Remains of the Temple of the same cell
Giovanni Battista Piranesi
18 c.
Ruins of Sixtus, or both of the great hall of the Antonine Baths
Giovanni Battista Piranesi
18 c.
Table text: Following the inscriptions referred to in the previous plate and index tables contained in the work
Giovanni Battista Piranesi
18 c.
Table text: Registrations that are in the monuments of this collection
Giovanni Battista Piranesi
18 c.
The Giant Wheel
Giovanni Battista Piranesi
18 c.
The Roman antiquities, t. 2, Plate LX. A view of the magnificent tomb near the remains of the factory in Torre de `Schiavi outside Porta Maggiore.
Giovanni Battista Piranesi
18 c.
The Roman antiquities, t. 2, Plate XLIV. Interior view of the burial chamber in the Vineyard Gate S. Casali Sebastiano.
Giovanni Battista Piranesi
18 c.
The Roman antiquities, t. 2, Plate XLVII. View the remains of some existing burial chambers on the ancient Via Appia outside the Porta S. Sebastiano.
Giovanni Battista Piranesi
18 c.
The Roman antiquities, t. 3, Plate VI. View the remains above ground of the ancient Ustrine and relevant to the same factories.
Giovanni Battista Piranesi
18 c.
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