The Hand Has Five Fingers
An oversized grasping hand energetically confronts the viewer. This popular 1928 election poster equates the five fingers of the laboring hand with the number 5 of the Communist Party's electoral list. On the morning of May 13, 1928, commuters, pedestrians, and all city dwellers would have seen this affective poster plastered throughout the urban areas of Berlin, and even on the front page of the Red Flag (Die Rote Fahne), Sunday issue, as readers opened the folded paper to its length. This image unequivocally urged them to vote for the party's electoral list. It demonstrates how Heartfield used advertising techniques for the purpose of political persuasion to great effect. This symbol of the working hand was one among the many political symbols Heartfield produced that resonated with the working classes.
Under the tutelage of Ernst Neumann, a renowned professor of advertising design, Heartfield learned how to attract the attention of potential customers by means of an optical surprise, achieved by pairing two often-oversized figures or objects with an emphasis on simplicity. Here Heartfield pairs the number five with the hand's five fingers. This optical surprise was most effectively delivered in what was called an "object poster" that highlighted a company's trademark or commodity devoid of any decorative flourishes. For this poster, Heartfield deployed this concept to great effect in synthesizing the demands of the workers with the Communist Party's electoral platform.
