NSA data center, Bluffdale, Utah
Jarik Jongman introduces waiting rooms, data centers and film sets as a stage for ideas about reality and human behaviour in the ‘post truth’ society. More than ever, ‘truth’ seems to have become a fluid concept. Furthermore, the paradoxical situation has arisen, wherein the abundance of information available is merely contributing to our insecurity. In his current work the artist constructs new, imaginary visual spaces, departing from personal memories and associations and found imagery from newspapers, magazines and the internet.
Tadanori Yokoo
1997
John Currin
2019
