An older transition approach from flat to 3D (and the most logical) reemerges here to describe a very simple shape inspired by the work of one of my favorite artists, Marcel Duchamp (1957, Self Portrait in Profile).
SDED-SP was created in an attempt to enrich a minimalist viewpoint of a self portrait that makes use of orange, commonly known as the brightest and happiest color of all (and my favorite!); I guess, une can say that its creator is going through a (continuous) orange period that has a minimal use of orange!... The silhouette travels two canvases to supplement the 2D/3D transition to only be interrupted by a super flat Stuart Semple’s Black 3.0 acrylic divider.
Unlike Mel Bochner's approach to self portraits, this one equates an image to only one word (orange), in the most simplified way possible, and in true minimalist fashion. Of course, in truth there are never enough words to describe a person therefore, any number of words—including one—are as good as any.
The choice of the shape also becomes a vanity dimension that is unintentionally born out of sincerity and truth.